Through the Looking Glass

The looking glass has two sides: one might be a vanity mirror in a bedroom, reflecting the image of an individual in her private space, unaware of or indifferent to her own observation. On the other side of the glass lies the lens of the film camera, eager to capture polished display of theatrical performance, fleeting moments turned editorial and glamorous.

A nuanced exploration of private and public identities and the ambiguity within authenticity and performance, addresses a complex narrative in an enduring, timeless pursuit of self expression and identity. This intimate exploration blurs the line between raw vulnerability and artifice, inviting viewers to examine their own relationship with the shifting nature of individuality and the intensity of portraiture as a lens for sincerity and spectacle. (2025).